Un petit résumé de l'expo des membres

Dec. 23, 2024, 2:50 p.m.  –  par Céline Bureau

— Luigi Iagulli. I thought i would have lasted 10 minutes.

— Théo Bignon , Hot Pink Butthole.

— Claire Olwen Stewart, Black Tile 1.

— (left) Graham Krenz, Watercolour.

— Chelsea Rozansky, Vertigo Green 1, 2, & 3.

— (left) Émile Riopel, Une boite postale où on y dépose des choses qu’on expédie comme du calme ou des bébelles qui nous amuse. (right) Crystel Pereira, Decay.

— (foreground) Mia Chalbos, Cinéraire.

— (left) Sam Lee, We were promised prosperity... instead we got SPAM.

— (left) arkadi lavoie lachapelle, La grève des pondeuses de 2028. (right) Lakshay Khandelwal, The Quarrel.

— (left) Long Xi Vlessing Silver Steak, Wooden Spoon. (foreground) Alex Apostolidis, The News (Blue Screen).

— Camille-Zoé Valcourt-Synnott, 10 SIGNS OF BURNOUT

— (left) Scott W, The Potato Eaters. (right) Amed Aroche, Untitled (Eclipse of the Sun in Libra).

— Betty Pomerleau, Lucky loci.

— (left) Juan Pablo Hernández Gutiérrez, untitled (Brazil, Ives Saint-Laurent). (middle) Médéric Corbin, Symbole 2 / Duplication 1

— Vjosana Shkurti, Becoming Olive Tree (Γινομαι Ελια) .

— (left) Dayana Matasheva & Edson Niebla, La Mère et La Fille. (right) Emma Ongman, Protected by Angels.

— (foreground) Pramila Choudhary, Now and Here / Here and Now. (floor) Lhasa Simard, Bar. (hanging, background) Nashwa Lina Khan, Binti sekna my3 (My daughter lives with me).

— (hanging) Chloë p.f. Lalonde, Portrait of a glacier, genius loci. (ground) Edith Sevigny-Martel, Cephalotus.

— Manuela Jara-Fortin, Hublot 01.

— Natasha Bucheit, Global Positioning System in Dark Brown .

— Jules de Guzman, holding.

— Melanie Garcia, where do we go from here.

— Sonia Létourneau, Sans titre.